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I won't tell you what happens when they all climb in bed together at the end of the movie, but suffice to say that I wasn't convinced either couple would stay out of divorce court afterward. If you hadn't have told me, then that would have been cheating." Ted and Alice slowly come around to their friends' newfound enthusiasm for toying with the boundaries of monogamy. "My darling," Carol says when she first discovers Bob's affair, "you did not do a terrible thing. Culp and Wood play Bob and Carol, who stumble into an open marriage that their friends Ted and Alice (Gould and Cannon) initially find shocking. A groundbreaking exploration of infidelity and polyamory, it is also a riveting drama about two couples struggling to make sense of their own destructive appetites. Mike Nichols' 1969 drama is more than its iconic image of Elliott Gould, Natalie Wood, Dyan Cannon, and Robert Culp in bed together. Laced with sardonic humor, the film is nevertheless uncomfortable to watch. Their vacation, and their marriage, unravel accordingly. Ebba, though, is shocked by her husband's instinct to abandon his family at the worst possible moment. No one is hurt in the end when the avalanche stops just short of swallowing up the diners, and Tomas tries to pretend that nothing happened. Like in The Loneliest Planet, the drama is set into motion after a momentary but pivotal act of cowardice - here by Tomas, who flees ahead of his family when a terrifying avalanche barrels down on the resort's outdoor dining patio. This cutting Swedish dark comedy revolves around the cursed family vacation of Tomas (Johannes Kuhnke) and Ebba (Lisa Loven Kongsli) and their two young children at a ski resort in the French Alps. When you turn it off you'll need a stiff drink, assuming you've made it through without one in the first place. Early in their courtship, Dean tells Cindy, "In my experience, the prettier a girl is, the more nuts she is, which makes you insane." Folks, that's pretty much the emotional high point of this movie, a relentlessly bleak look at alcoholism and the consequences of very bad decision-making. The best word that I could describe the experience of watching this movie is "scarring." Gosling and Williams are magnetic as two people who belong nowhere near each other, yet are drawn back to each other again and again in increasingly destructive ways. Things get progressively more unpleasant before George and Martha finally reveal their twisted secret to Nick and Honey.Īrguably one of the most upsetting films I've ever seen, Derek Cianfrance's Blue Valentine has it all: a dead dog wrenching, alcohol-drenched arguments and a heartbroken child, all courtesy of the poisonous relationship between Dean (Ryan Gosling) and Cindy (Michelle Williams). "It isn't the prettiest spectacle, seeing a couple of middle-aged types hacking away at each other, all red in the face and winded, missing half the time," George says at one point to their unlucky guests. One night, Martha invites a young biology professor named Nick (George Segal) and his wife Honey (Sandy Dennis) back to their house after a party, commencing a middle-of-the-night psychodrama that sees the bitter hosts gradually sucking their guests into their maelstrom of loathing and emotional abuse. Richard Burton and Elizabeth Taylor play George (a history professor) and Martha (the university president's daughter), a miserable middle-aged couple who seem to take dark pleasure in hurling cutting invective at one another.
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Director Mike Nichols' 1966 adaptation of Edward Albee's award-winning play is about an afterparty gone badly awry. Without further ado, here are 10 movies that prove love definitely does not always win. Lists like these should have rules, and ours is that the movie can't just be about loving couples going through hard times - they have to depict people who are poison for one another and would be better off apart. Our mutual adoration of anti-romance films launched a now decade-long tradition of going out for Chinese food and then watching a dark movie about dysfunctional relationships on America's Hallmark holiday. It turns out that we had chosen to spend the holiday watching the same iconic toxic relationship film. On my second date with my future wife, in one of those basement cocktail bars that are so ostentatiously cool that they don't have a sign outside, we talked about what we had done on Valentine's Day that year, which we had both spent alone.